O Vos Omnes (2023)
string quartet (9')
Hypercube ensemble (6'15")
there are no people (2022)
duo for soprano and bass flute (ca. 5')
Wrong Chain (2022)
solo violin (8')
Loadbang ensemble (3'30")
Noisy Bugle (2022)
noisybugle and live electronics (6')
the Memory of a Story (2022)
saxophone quartet (15')
Purple Gap (2022)
solo vibraphone (2')
Prancer (2021)
wind ensemble (7')
Scordatura (2021)
(ETTT) tuba and euphonium quartet and live electronics (4'10")
I quite like perfect fourths (2021)
duo for flute and Bb clarinet (1')
Invalid Validity (2021)
one or more instruments with fixed media (6'30")
ill (2021)
quadraphonic fixed media (9'30")
Exile (2021)
soprano and reed quintet (5')
Allargando (2021)
fixed media (4'30")
Buzzed (2021)
percussion quartet (6')
string quartet (5')
Mad Song (2020)
baritone voice and piano (5')
Decisive Purpose (2020)
duo for tuba and percussion
i shall imagine life (2020)
woodwind quintet (5')
Misunderstandings (2019)
solo multi-percussion (5')
panic (2019)
fixed media (4'46")
Lament (2019)
solo cello (30")
Insufficient Title (2019)
duo for flute and marimba (6')
Broken Tongue (2019)
solo piano (5')
Premiered 2019, by Cara Gould and Andrew Stern in Esber Recital Hall.
Insufficient Title slowly integrates scattered beatboxing sounds throughout the piece. These sounds grow closer as the piece moves on until finally the flute and marimba player beatbox in unison revealing that the scattered noises the listener heard throughout the piece were actually deconstructed beatboxing sounds.
If interested in performing this work, contact me at csimpsoncomposer@gmail.com.